Edited by Miguel Angel Corzo
Which objects or events will define the art of our time? Who will decide what is to be preserved for posterity and how that will be done? If an artist chooses ephemeral materials, should the work be allowed to deteriorate?
These are among the questions posed in this stimulating volume, based on a conference on the preservation of contemporary art held at the Getty Center in March 1998. Professionals from a range of disciplines—artists, museum directors, curators, conservators, art historians, dealers, collectors, and scientists, as well as a philosopher and a lawyer—offer their individual perspectives on the artist's original intent, the effect of the art market, ways to cope with rapidly evolving media technologies, and fine art as popular culture.
Authors include celebrated artists Judy Chicago and Bill Viola; philosopher Arthur Danto; collectors Clifford Einstein and Agnes Gund; and museum professionals Roy A. Perry, head of conservation at the Tate Gallery, London; James Coddington, chief conservator at the Museum of Modern Art, New York; Peter Galassi, chief curator of photography at the Museum of Modern Art; and John Hanhardt, senior curator of film and media arts at the Solomon R. Guggenheim Museum, New York. The foreword is by Mildred Constatine, a former curator at the Museum of Modern Art.
The thirty-four essays in this volume, illustrated with more than ninety color plates, center on the following topics: Is Contemporary Art Only for Contemporary Times? Present and Future Perceptions, The Challenge of Materials, The Art Ecosystem, and Who Is Responsible? Museum professionals, dealers, collectors, conservators, artists, art historians, and all those engaged in the dialogue surrounding art and cultural heritage will find this volume of critical interest.
Miguel Angel Corzo is the former director of the Getty Conservation Institute.
